NameProfessorSubjectDateArchitecture History and Theory The s , he held , should non be regarded as sacrosanct they should non be upheld as expressions of a prevalent system of harmony discernible , according to Pythagorean possibility , in music in the intervals of the scales , in computer architecture in the established equipoiseate ratios Musical harmony was not to be equated with architectural harmony . The ear might thus register a discord , but the eye was by no means so finely responsive to proportional harmonies (Middleton 19Architecture is comp bed to other forms of art . In this passing secret plan it has been compared to music . This passage comes from Claude Perrault who was not an architect but a doctor and a scientist . If musical harmony appeals with our ears the architectural wonders appeals to our eyeball Architecture is a true form of art that reflects the aesthetical standard of the societyHe would privation to give architecture new rules for estimate .

For him there are no absolute standards of violator in architecture . He mentioned that there are two kinds of beauty in architecture and these are incontrovertible beauty and overbearing beauty . The positive beauty according to Perrault consist of the graphic symbol of materials , sheer wideness symmetry , precision and neatness of implementation while the arbitrary beauty refers to the arrangement of forms and shape , proportion and the elements of classical architectureGreek architecture was known for the various styles of bea uty worry the Doric and garret and also the! Corinthian while the popish architecture has...If you want to get a full essay, revisal it on our website:
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